![]() ĭuring the 1950s and 1960s, new workshops were set up. In 1935, the Conservation and Restoration Department was divided into laboratories and sections: painting, new painting, sculpture, applied art and folk art. The restoration workshop consisted of two sections: the main one, which worked for the Museum, and the regional one, which was engaged in saving cultural monuments in Petrograd and other cities of Russia. Its first director was the painter-restorer N.A. ![]() It was in 1922 that the restoration workshop of the Russian Museum was established. ![]() However, owing to a lack of funds, he was not destined to succeed. Boravskiy drew up his famous project to set up a restoration workshop at the Russian Museum. The need to set up a special restoration workshop at the Russian Museum was first raised in 1906. Restoration of the museum property Īll process on the restoration of works of art in the Russian Museum is carried out at the Museum Valuables Restoration Service. Today the collection shows Russian art from the 10th century up to the 21st century, covering all genres from the old Russian icon painting to contemporary art. In 1930s it was assigned to the Russian museum. After Russian revolution, in 1919 the Benois Building was completed. The construction started in 1914, but was interrupted by the First World War. The project of Benois Building (or 'Corpus Benua') was developed in 1910-1912 by the famous Russian architect Leon Benois. Other buildings and locations, assigned to the Russian museum, include the Summer Palace of Peter I (1710–14) with the Summer Garden, the Marble Palace of Count Orlov (1768–85), St Michael's Castle of Emperor Paul (1797–1801), the cabin of Peter the Great, and the Rastrelliesque Stroganov Palace on the Nevsky Prospekt (1752–54). Some of the halls of the palace retain the Italianate opulent interiors of the former imperial residence. ![]() Upon the death of the Grand Duke the residence was named after his wife as the Palace of the Grand Duchess Elena Pavlovna, and became famous for its many theatrical presentations and balls. Situated in Hancock Park on over 20 acres in the heart of Los Angeles, LACMA is located between the ocean and downtown.The main building of the museum is the Mikhailovsky Palace, the Neoclassical former residence of Grand Duke Michael Pavlovich, erected in 1819–25 to a design by Carlo Rossi on Square of Arts in St Petersburg. Among the museum’s strengths are its holdings of Asian art, Latin American art, ranging from pre-Columbian masterpieces to works by leading modern and contemporary artists and Islamic art, of which LACMA hosts one of the most significant collections in the world.Ī museum of international stature as well as a vital part of Southern California, LACMA shares its vast collections through exhibitions, public programs, and research facilities that attract over a million visitors annually, in addition to serving millions through digital initiatives, such as online collections, scholarly catalogues, and interactive engagement at. Today LACMA is the largest art museum in the western United States, with a collection that includes nearly 130,000 objects dating from antiquity to the present, encompassing the geographic world and nearly the entire history of art. Since its inception in 1965, the Los Angeles County Museum of Art (LACMA) has been devoted to collecting works of art that span both history and geography, in addition to representing Los Angeles's uniquely diverse population.
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